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Since Paulo had left her, and she found herself alone, Natalie felt sad, solitary, in the paradise that surrounded her. No longer did she sing in emulation of the birds, no longer did she hop with youthful delight and the impetuosity of a young roe through the charming alleys. Sadly, and with downcast eyes, sat she under the myrtle bush by the murmuring fountains, and frequent heavy sighs heaved her laboring breast. "All is changed, all!" she often thoughtfully said to herself. "A great and terrible secret has been unveiled within me--the secret of my utter abandonment! I have no one on earth to whom I belong! Once I never thought of that. Paulo was all to me, my friend, my father, my brother; but Paulo has abandoned me, I belong not to him, and hence I could not go with him. And who is left to me? Carlo!" she answered herself in a low tone, and with a melancholy smile. "But Carlo has not filled the void that Paulo's absence has left in my heart. At first I thought he could, but that was only a short deception. Carlo is good and kind, always devoted, always ready to serve me. He always conforms himself to my will, is all subjection, all obedience. But that is terrible, unbearable!" exclaimed the almost weeping young maiden. "Who, then, shall I obey, before whom shall I tremble, when all obey me and tremble before me? And yet Carlo is a man. No," said she, quite low; "were he so I should then obey him, and not he me; then would he give me commands, and not I him! No, Carlo is no man--Paulo was so! Where art thou, my friend, my father?" And the young maiden yearningly spread her arms in the air, calling upon her distant friend with tender, low-whispered words and heartfelt longings. But the days slowly passed, and still no news came from him. Natalie dreamily and sadly sank deeper into herself; her cheeks paled, her step became less light and elastic. In vain did her true friends, Marianne and Carlo, exhaust themselves in projects and propositions for her distraction and amusement. "You should go into the world and amuse yourself in society, princess," said Carlo. "I hate the world and society," said Natalie. "People are all bad, and I abominate them. What had I done to these people, how had I offended them even in thought, and yet they would have murdered me the very first time I appeared among them? No, no, leave me here in my solitude, where I at least have not to tremble for my life, where I have Carlo to guard and protect me." The singer pressed the proffered hand to his lips. "Then let us at least make some excursions in the environs of Rome," said he. "No," said she, "I should everywhere long to be back in my garden. Nowhere is it so beautiful as here. Leave me my paradise--why would you drive me from it?" "Alas!" despairingly exclaimed Carlo, "you call yourself happy and satisfied; why, then, are you so sad?" "Am I sad?" she asked, with surprise. "No, Carlo, I am not sad! I sometimes dream, nothing more! Let me yet dream!" "You will die," thought Carlo, and with an effort he forced back the cry of despair that pressed to his lips; but his cheeks paled, and his whole form trembled. Seeing it, Natalie shook off her apathy, and with a lively sympathy and tender friendship she inquired the cause of his disquiet. She was so near him that her breath fanned his cheek, and her locks touched his brow. "Ah, you would kill me, you would craze me!" murmured he, sorrowfully, sinking down, powerless, at her feet. She looked wonderingly at him. "Why are you angry with me?" she innocently said, "and what have I done, that you so wrongfully accuse me?" "What have you done?" cried he, beside himself,--the moment had overcome him, this moment had burst the bands with which he had bound his heart, and in unfettered freedom, in glowing passion, his long- concealed secret forced its way to his lips. He must at length for once speak of his sorrows, even if death should follow; he must give expression to his torment and his love, even should Natalie banish him forever from her presence! "What have you done?" repeated he. "Ah, she does not even know that she is slowly murdering me, she does not even know that I love her!" "Am I not to know?" she reproachfully asked. "Would you, indeed, have saved my life had you not loved me? Carlo I am indebted to you for my life, and you say I murder you!" "Yes," he frowardly exclaimed, "you murder me! Slowly, day by day, hour by hour, am I consumed by this frightful internal fire that is destroying me. Ah, you know not that you are killing me. And have you not destroyed my youthful strength, and from a man converted me into an old, trembling, and complaining woman? Is it not for your sake that I have fled the world, leaving behind me all it offered of fame and wealth and honor? Is it not your fault that I have ceased to be a free man, to have a will of my own, and have become a slave crawling at your feet? Ah, woe is me, that I ever came to know you! You are an enchantress, you have made me your hound, and, whining, I lie in the dust before you, satisfied when you touch me with your foot." At first, Natalie had listened to him with terror and astonishment; then an expression of noble pride was to be read upon her features, a glowing flush flitted over her delicate cheeks, and with flashing eyes and a heaving bosom she sprang up from her seat. Proud as a queen she rose erect, the blood of her ancestors awoke in her; she at this moment felt herself free as an empress, as proud, as secure--and, stretching her arm toward the outlet of the garden, she said in a determined tone: "Go, Signor Carlo! Leave me, I tell you! We have no longer any thing in common with each other!" Carlo seemed as if awakened from a delirium. Breathless, with widely- opened eyes, trembling and anxious, he stared at the angry maiden. He knew nothing of what he had said; he comprehended not her anger, only his infinite suffering; he was conscious only of his long-suppressed, long-concealed secret love. And, grasping Natalie's hands with an imploring expression, he constrained the young maiden, almost against her will, to remain and reseat herself upon the grassy bank before which he knelt.
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The Daughter of an Empress -by- Louise Muhlbach
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