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The personage never opened his book, and never looked at the clergyman. He never sat down either, but stood with his arms leaning on the top of the pew, and his forehead sometimes shaded with his right hand, always looking at the church door. It was a long church for a church of its size, and he was at the upper end, but he always looked at the door. That he was an old bookkeeper, or an old trader who had kept his own books, and that he might be seen at the Bank of England about Dividend times, no doubt. That he had lived in the City all his life and was disdainful of other localities, no doubt. Why he looked at the door, I never absolutely proved, but it is my belief that he lived in expectation of the time when the citizens would come back to live in the City, and its ancient glories would be renewed. He appeared to expect that this would occur on a Sunday, and that the wanderers would first appear, in the deserted churches, penitent and humbled. Hence, he looked at the door which they never darkened. Whose child the child was, whether the child of a disinherited daughter, or some parish orphan whom the personage had adopted, there was nothing to lead up to. It never played, or skipped, or smiled. Once, the idea occurred to me that it was an automaton, and that the personage had made it; but following the strange couple out one Sunday, I heard the personage say to it, 'Thirteen thousand pounds;' to which it added in a weak human voice, 'Seventeen and fourpence.' Four Sundays I followed them out, and this is all I ever heard or saw them say. One Sunday, I followed them home. They lived behind a pump, and the personage opened their abode with an exceeding large key. The one solitary inscription on their house related to a fire-plug. The house was partly undermined by a deserted and closed gateway; its windows were blind with dirt; and it stood with its face disconsolately turned to a wall. Five great churches and two small ones rang their Sunday bells between this house and the church the couple frequented, so they must have had some special reason for going a quarter of a mile to it. The last time I saw them, was on this wise. I had been to explore another church at a distance, and happened to pass the church they frequented, at about two of the afternoon when that edifice was closed. But, a little side-door, which I had never observed before, stood open, and disclosed certain cellarous steps. Methought 'They are airing the vaults to-day,' when the personage and the child silently arrived at the steps, and silently descended. Of course, I came to the conclusion that the personage had at last despaired of the looked-for return of the penitent citizens, and that he and the child went down to get themselves buried.
In the course of my pilgrimages I came upon one obscure church which had broken out in the melodramatic style, and was got up with various tawdry decorations, much after the manner of the extinct London may-poles. These attractions had induced several young priests or deacons in black bibs for waistcoats, and several young ladies interested in that holy order (the proportion being, as I estimated, seventeen young ladies to a deacon), to come into the City as a new and odd excitement. It was wonderful to see how these young people played out their little play in the heart of the City, all among themselves, without the deserted City's knowing anything about it. It was as if you should take an empty counting- house on a Sunday, and act one of the old Mysteries there. They had impressed a small school (from what neighbourhood I don't know) to assist in the performances, and it was pleasant to notice frantic garlands of inscription on the walls, especially addressing those poor innocents in characters impossible for them to decipher. There was a remarkably agreeable smell of pomatum in this congregation.
But, in other cases, rot and mildew and dead citizens formed the uppermost scent, while, infused into it in a dreamy way not at all displeasing, was the staple character of the neighbourhood. In the churches about Mark-lane, for example, there was a dry whiff of wheat; and I accidentally struck an airy sample of barley out of an aged hassock in one of them. From Rood-lane to Tower-street, and thereabouts, there was often a subtle flavour of wine: sometimes, of tea. One church near Mincing-lane smelt like a druggist's drawer. Behind the Monument the service had a flavour of damaged oranges, which, a little further down towards the river, tempered into herrings, and gradually toned into a cosmopolitan blast of fish. In one church, the exact counterpart of the church in the Rake's Progress where the hero is being married to the horrible old lady, there was no speciality of atmosphere, until the organ shook a perfume of hides all over us from some adjacent warehouse.
Be the scent what it would, however, there was no speciality in the people. There were never enough of them to represent any calling or neighbourhood. They had all gone elsewhere over-night, and the few stragglers in the many churches languished there inexpressively.
Among the Uncommercial travels in which I have engaged, this year of Sunday travel occupies its own place, apart from all the rest. Whether I think of the church where the sails of the oyster-boats in the river almost flapped against the windows, or of the church where the railroad made the bells hum as the train rushed by above the roof, I recall a curious experience. On summer Sundays, in the gentle rain or the bright sunshine - either, deepening the idleness of the idle City - I have sat, in that singular silence which belongs to resting-places usually astir, in scores of buildings at the heart of the world's metropolis, unknown to far greater numbers of people speaking the English tongue, than the ancient edifices of the Eternal City, or the Pyramids of Egypt. The dark vestries and registries into which I have peeped, and the little hemmed-in churchyards that have echoed to my feet, have left impressions on my memory as distinct and quaint as any it has in that way received. In all those dusty registers that the worms are eating, there is not a line but made some hearts leap, or some tears flow, in their day. Still and dry now, still and dry! and the old tree at the window with no room for its branches, has seen them all out. So with the tomb of the old Master of the old Company, on which it drips. His son restored it and died, his daughter restored it and died, and then he had been remembered long enough, and the tree took possession of him, and his name cracked out.
There are few more striking indications of the changes of manners and customs that two or three hundred years have brought about, than these deserted churches. Many of them are handsome and costly structures, several of them were designed by WREN, many of them arose from the ashes of the great fire, others of them outlived the plague and the fire too, to die a slow death in these later days. No one can be sure of the coming time; but it is not too much to say of it that it has no sign in its outsetting tides, of the reflux to these churches of their congregations and uses. They remain like the tombs of the old citizens who lie beneath them and around them, Monuments of another age. They are worth a Sunday- exploration, now and then, for they yet echo, not unharmoniously, to the time when the City of London really was London; when the 'Prentices and Trained Bands were of mark in the state; when even the Lord Mayor himself was a Reality - not a Fiction conventionally be-puffed on one day in the year by illustrious friends, who no less conventionally laugh at him on the remaining three hundred and sixty-four days.
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The Uncommercial Traveller -- by Charles DickensBottom Content goes here. Wikipedia content requires these links..... Wikipedia content is licensed under the GNU Free Documentation License.