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But luckily for Filippo, the great Cosimo still stood his friend and helped him through it all. He it was who begged the Pope to allow Fra Filippo to marry Lucrezia (for monks, of course, were never allowed to marry), and the Pope, too, was kind and granted the request, so that all went well. Now indeed was Lucrezia as happy as the day was long, and when the spring returned once more to Florence, a baby Filippo came with the violets and lilies. `How wilt thou know us apart if thou callest him Filippo?' asked the proud father. `Ah, he is such a little one, dear heart,' Lucrezia answered gaily. `We will call him Filippino, and then there can be no mistake.' There was no more need now to seek for pleasures out of doors. Filippo painted his pictures and lived his happy home life without seeking any more adventures. His Madonnas grew ever more beautiful, for they were all touched with the beauty that shone from Lucrezia's fair face, and the Infant Christ had ever the smile and the curly golden hair of the baby Filippino. And by and by a little daughter came to gladden their hearts, and then indeed their cup of joy was full. `What name shall we give the little maid?' said Filippo. `Methought thou wouldst have it Lucrezia,' answered the mother. `There is but one Lucrezia in all the world for me,' he said. `None other but thee shall bear that name.' As they talked a knock sounded at the door, and presently the favourite pupil, Sandro, looked in. There was a shout of joy from little Filippino, and the young man lifted the child in his arms and smiled with the look of one who loves children. `Come, Sandro, and see the little new flower,' said Filippo. `Is she not as fair as the roses which thou dost so love to paint?' Then, as the young man looked with interest at the tiny face, Filippo clapped him on the shoulder. `I have it!' he cried. `She shall be called after thee, Alessandra. Some day she will be proud to think that she bears thy name.' For already Filippo knew that this pupil of his would ere long wake the world to new wonder. The only clouds that hid the sunshine of Lucrezia's life was when Filippo was obliged to leave her for a while and paint his pictures in other towns. She always grew sad when his work in Florence drew to a close, for she never knew where his next work might lie. `Well,' said Filippo one night as he returned home and caught up little Filippino in his arms, `the picture for the nuns of San Ambrogio is finished at last! Truly they have saints and angels enough this time--rows upon rows of sweet faces and white lilies. And the sweetest face of all is thine, Saint Lucy, kneeling in front with thy hand beneath the chin of this young cherub.' `Is it indeed finished so soon?' asked Lucrezia, a wistful note creeping into her voice. `Ay, and to-morrow I must away to Spoleto to begin my work at the Chapel of Our Lady. But look not so sad, dear heart; before three months are past, by the time the grapes are gathered, I will return.' But it was sad work parting, though it might only be for three months, and even her little son could not make his mother smile, though he drew wonderful pictures for her of birds and beasts, and told her he meant to be a great painter like his father when he grew up. Next day Filippo started, and with him went his good friend Fra Diamante. `Fare thee well, Filippo. Take good care of him, friend Diamante,' cried Lucrezia; and she stood watching until their figures disappeared at the end of the long white road, and then went inside to wait patiently for their return. The summer days passed slowly by. The cheeks of the peaches grew soft and pink under the kiss of the sun, the figs showed ripe and purple beneath the green leaves, and the grapes hung in great transparent clusters of purple and gold from the vines that swung between the poplar-trees. Then came the merry days of vintage, and the juice was pressed out of the ripe grapes. `Now he will come back,' said Lucrezia, `for he said ``by the time the grapes are gathered I will return.'' ' The days went slowly by, and every evening she stood in the loggia and gazed across the hills. Then she would point out the long white road to little Filippino. `Thy father will come along that road ere long,' she said, and joy sang in her voice. Then one evening as she watched as usual her heart beat quickly. Surely that figure riding so slowly along was Fra Diamante? But where was Filippo, and why did his friend ride so slowly? When he came near and entered the house she looked into his face, and all the joy faded from her eyes. `You need not tell me,' she cried; `I know that Filippo is dead.' It was but too true. The faithful friend had brought the sad news himself. No one could tell how Filippo had died. A few short hours of pain and then all was over. Some talked of poison. But who could tell? There had just been time to send his farewell to Lucrezia, and to pray his friend to take charge of little Filippino. So, as she listened, joy died out of Lucrezia's life. Spring might come again, and summer sunshine make others glad, but for her it would be ever cold, bleak winter. For never more should her heart grow warm in the sunshine of Filippo's smile--that sunshine which had made every one love him, in spite of his faults, ever since he ran about the streets, a little ragged boy, in the old city of Florence.
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Knights of the Art -by- Amy Steedman
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