When the critical "first night" arrived, none of the scouts knew a line of his part, but each had acquired all the varieties of stage fright known to the profession. Buntline had hinted to them the possibility of something of the sort, but they had not realized to what a condition of abject dismay a man may be reduced by the sight of a few hundred inoffensive people in front of a theater curtain. It would have done them no good to have told them (as is the truth) that many experienced actors have touches of stage fright, as well as the unfortunate novice. All three declared that they would rather face a band of war-painted Indians, or undertake to check a herd of stampeding buffaloes, than face the peaceful-looking audience that was waiting to criticise their Thespian efforts.

Like almost all amateurs, they insisted on peering through the peep-holes in the curtain, which augmented their nervousness, and if the persuasive Colonel Judson had not been at their elbows, reminding them that he, also, was to take part in the play, it is more than likely they would have slipped quietly out at the stage door and bought railway passage to the West.

Presently the curtain rolled up, and the audience applauded encouragingly as three quaking six-footers, clad in buckskin, made their first bow before the footlights.

I have said that Will did not know a line of his part, nor did he when the time to make his opening speech arrived. It had been faithfully memorized, but oozed from his mind like the courage from Bob Acres's finger-tips. "Evidently," thought Buntline, who was on the stage with him, "he needs time to recover." So he asked carelessly:

"What have you been about lately, Bill?"

This gave "The Scout of the Plains" an inspiration. In glancing over the audience, he had recognized in one of the boxes a wealthy gentleman named Milligan, whom he had once guided on a big hunt near McPherson. The expedition had been written up by the Chicago papers, and the incidents of it were well known.

"I've been out on a hunt with Milligan," replied Will, and the house came down. Milligan was quite popular, but had been the butt of innumerable jokes because of his alleged scare over the Indians. The applause and laughter that greeted the sally stocked the scout with confidence, but confidence is of no use if one has forgotten his part. It became manifest to the playwright-actor that he would have to prepare another play in place of the one he had expected to perform, and that he must prepare it on the spot.

"Tell us about it, Bill," said he, and the prompter groaned.

One of the pleasures of frontier life consists in telling stories around the camp-fire. A man who ranks as a good frontiersman is pretty sure to be a good raconteur. Will was at ease immediately, and proceeded to relate the story of Milligan's hunt in his own words. That it was amusing was attested by the frequent rounds of applause. The prompter, with a commendable desire to get things running smoothly, tried again and again to give Will his cue, but even cues had been forgotten.

The dialogue of that performance must have been delightfully absurd. Neither Texas Jack nor Wild Bill was able to utter a line of his part during the entire evening. In the Indian scenes, however, they scored a great success; here was work that did not need to be painfully memorized, and the mock red men were slain at an astonishing rate.

Financially the play proved all that its projectors could ask for. Artistically--well, the critics had a great deal of fun with the hapless dramatist. The professionals in the company had played their parts acceptably, and, oddly enough, the scouts were let down gently in the criticisms; but the critics had no means of knowing that the stars of the piece had provided their own dialogue, and poor Ned Buntline was plastered with ridicule. It had got out that the play was written in four hours, and in mentioning this fact, one paper wondered, with delicate sarcasm, what the dramatist had been doing all that time. Buntline had played the part of "Gale Durg," who met death in the second act, and a second paper, commenting on this, suggested that it would have been a happy consummation had the death occurred before the play was written. A third critic pronounced it a drama that might be begun in the middle and played both ways, or played backward, quite as well as the way in which it had been written.

However, nothing succeeds like success. A number of managers offered to take hold of the company, and others asked for entrance to the enterprise as partners. Ned Buntline took his medicine from the critics with a smiling face, for "let him laugh who wins."

The scouts soon got over their stage fright, in the course of time were able to remember their parts, and did fully their share toward making the play as much of a success artistically as it was financially. From Chicago the company went to St. Louis, thence to Cincinnati and other large cities, and everywhere drew large and appreciative houses.