In reviewing books I took the keenest Interest in the "Carlyle Biographies and Letters," because my mother recollected Jeanie Welch as a child, and her father was called in always for my grandfather Brodie's illnesses. I was also absorbed in the "Life and Letters of George Eliot." The Barr Smiths gave me the "Life and Letters of Balzac," and many of his books in French, which led me to write both for The Register and for The Melbourne Review. I also wrote "A last word," which was lost by The Centennial in Sydney when it died out. It was also from Mrs. Barr Smith that I got so many of the works of Alphonse Daudet in French, which enabled me to give a rejoinder to Marcus Clark's assertion that Balzac was a French Dickens. Indeed, looking through my shelves, I see so many books which suggested articles and criticisms which were her gifts that I always connect her with my journalistic career.

Many people have consulted me about publishing poems, novels, and essays. As I was known to have actually got books published in England, and to be a professional journalist and reviewer, I dare say some of those who applied to me for encouragement thought I was actuated by literary jealousy; but people are apt to think they have a plot when they have only an incident, or two or three incidents; and many who can write clever and even brilliant letters have no idea of the construction of a story that will arrest and sustain the reader's attention. The people who consulted me all wanted money for their work. They had such excellent uses for money. They had too little. They were neither willing nor able to bear the cost of publication, and it was absolutely necessary that their work should be good enough for a business man to undertake it. I am often surprised that I found English publishers myself, and the handicap of distance and other things is even greater now. If stories are excessively Australian, they lose the sympathies of the bulk of the public. If they are mildly Australian, the work is thought to lack distinctiveness. Great genius can overcome these things, but great genius is rare everywhere. Except for my friend Miss Mackay (Mrs. F. Martin), I know no Australian novelist of genius, and her work is only too rare in fiction. Mrs. Cross reaches her highest level in "The Masked Man." but she does not keep it up, though she writes well and pleasantly. Of course poetry does not pay anywhere until a great reputation is made. Poetry must be its own exceeding great reward. And yet I agree with Charles Kingsley that if you wish to cultivate a really good prose style you should begin with verse. In my teens I wrote rhymes and tried to write sonnets. I encouraged writing games among my young people, and it is surprising how much cleverness could be developed. I can write verses with ease, but very rarely could I rise to poetry; and therefore I fear I was not encouraging to the budding Australian poet.

There was a column quite outside of The Register to which I liked to contribute for love. That was "The Riddler," which appeared in The Observer and in The Evening Journal on Saturdays. It brought me in contact with Mr. William Holden, long the oldest journalist in South Australia, who revelled in statistical returns and algebraical problems and earth measurements, but who also appreciated a good charade or double acrostic. I used to give some of the ingredients for his "Christmas Mince Pie," and wrote many riddles of various sorts. My charades were not so elegant as some arranged by Miss Clark, and not so easily found out; and my double acrostics were not so subtle as those given in competition nowadays, but they were in the eighties reckoned excellent. My fame had reached the ears of Mrs. Alfred Watts (nee Giles), who spent her early colonial life on Kangaroo Island, and she asked me to write some double acrostics for the poor incurables. I stared at her in amazement. "We want to be quite well to tackle double acrostics and to have access to books. Does not Punch speak of the titled lady, eager to win a guinea prize, who gave seven volumes of Carlyle's works to seven upper servants, and asked each to search one to find a certain quotation?" "Oh," said Mrs. Watts, "I don't mean for the incurables to amuse themselves with. I mean for the benefit of the home."

In the end I prepared a book of charades and double acrostics, for the printing and binding of which Mrs. Watts paid. It was entitled "Silver Wattle," and the proceeds from the sale of this little book went to help the funds of the home. For a second volume issued for the same purpose Mrs. Strawbridge wrote some poems, Mrs. H. M. Davidson a translation of Victor Huge, Miss Clark her beautiful "Flowers of Greece," and her niece some pretty verses, which, combined with the double acrostics, and acting charades supplied by me, made an attractive volume. Mrs. Watts had something of a literary turn, which found expression in "Memories of Early Days in South Australia," a book printed for private circulation among her family and intimate friends. Dealing with the years between 1837 and 1845 it was very interesting to old colonists, particularly when they were able to identify the people mentioned, sometimes by initials and sometimes by pseudonyms. The author was herself an incurable invalid from an accident shortly after her marriage, and felt keenly for all the inmates of the Fullarton Home.